A. Aubry, A. Blein, and E. Vivant, The promotion of creative industries as a tool for urban planning:The case of the Territoire de la Culture et de la Création in Paris Region, International Journal of Cultural Policy, vol.21, pp.121-159, 2015.

A. L. Bain and L. March, Urban Redevelopment, Cultural Philanthropy and the Commodification of Artistic Authenticity in Toronto, City & Community, vol.18, pp.173-94, 2019.

N. Bataille, Une approche pragmatique du travail de l'ingénierie privée, Thèse de doctorat en aménagement de l'espace et urbanisme, 2020.

H. S. Becker, Outsider. Etudes de sociologie de la déviance, AM Métailié, 1963.

H. S. Becker, Art Worlds, 1984.

L. Boltanski and E. Chiapello, Le nouvel esprit du capitalisme. Gallimard, 1999.
URL : https://hal.archives-ouvertes.fr/hal-00680085

J. Bordeuil, Soho, ou comment le 'village' devint planétaire. Villes en Parallèle 20-21, pp.145-81, 1994.

T. Boren and C. Young, Getting Creative with the 'Creative City'? Towards New Perspectives on Creativity in Urban Policy, International Journal of Urban and Regional Research, vol.37, pp.1799-1815, 2013.

P. Bourdieu, L'invention de la vie d'artiste. Actes de la recherche en sciences sociales 2, pp.67-94, 1975.

O. Chambard, La promotion de l'entrepreneuriat dans l'enseignement supérieur. Les enjeux d'une création lexicale, Mots. Les langages du politique, vol.102, pp.103-122, 2013.

P. Chatterton, Squatting is Still Legal, Necessary and Free": A Brief Intervention in the Corporate City, Ehess -Gallimard -Seuil, vol.34, pp.1-7, 1978.

R. Gill and A. Pratt, the Social Factory? Immaterial Labour, Precariousness and Cultural Work. Theory, Culture and Society 25, pp.1-30, 2008.

S. Gravereau, Artistes de Belleville : entre mondes de l'art et territoires urbains, Sociology. Ecole des Hautes Etudes en Sciences Sociales, 2008.

B. Grésillon, , 2002.

D. Harvey, From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism, Geografiska Annaler. Series B, Human Geography, vol.71, pp.3-17, 1989.

, Temporary Urban Spaces. Concepts for the Use of City Spaces, 2006.

N. Heinich, L'élite artiste: Excellence et singularité en régime démocratique, 2005.

N. Heinich and R. Shapiro, De l'artification. Enquêtes sur le passage à l'art. Editions de l'Ecole des, Hautes Etudes en Sciences Sociales, 2012.

D. Hesmondhalgh and S. Baker, A very complicated version of freedom": Conditions and experiences of creative labour in three cultural industries, Poetics, vol.38, pp.4-20, 2010.

M. Krivy, Don't Plan! The Use of the Notion of Culture in Transforming Obsolete Industrial Space, International Journal of Urban and Regional Research, vol.37, pp.1724-1770, 2013.

C. Kullmann, De l'exposition de la Tour Paris 13 au concept de musée à ciel ouvert: le street art au service du projet urbain? Téoros 34, 2015.

F. Lextrait, Friches, laboratoires, fabriques, squats, projets pluridisciplinaires...: une nouvelle époque de l'action culturelle, Ministère de la Culture, 2001.

E. Marcil, Bérurier Noir. Conte cruel de la jeunesse. Camion Blanc. Folklore de la zone mondiale, 1997.

H. Martin-brelot, M. Grossetti, D. Eckert, O. Gritsai, and Z. Kovacs, The Spatial Mobility of the 'Creative Class': a European Perspective, International Journal of Urban and Regional Research, vol.34, pp.854-70, 2010.
URL : https://hal.archives-ouvertes.fr/halshs-00553991

A. Mcrobbie, Clubs to Companies: Notes on the Decline of Political Culture in Speeded Up Creative Worlds, Cultural Studies, vol.16, pp.516-547, 2002.

P. Menger, Portrait de l'artiste en travailleur. Métamorphoses du capitalisme. La République des idées, 2002.
URL : https://hal.archives-ouvertes.fr/halshs-00261342

O. Mould, Tactical Urbanism: The New Vernacular of the Creative City, Geography Compass, vol.8, pp.529-568, 2014.

R. Moulin, L'artiste, l'institution et le marché, 1992.

G. Neff, E. Wissinger, and S. Zukin, Entrepreneurial Labor among Cultural Producers: 'Cool' Jobs in 'Hot' Industries, Social Semiotics, vol.15, pp.307-341, 2005.

J. Novy and C. Colomb, Struggling for the Right to the (Creative) City in Berlin and Hamburg. New Urban Social Movements, New 'Spaces of Hope'?, International Journal of Urban and Regional Research, vol.37, pp.1816-1854, 2013.

J. Pinard and H. Morteau, forthcoming) Professionnels de l'occuaption temporaire, nouveaux acteurs de la fabrique de la ville ? De l'émergence d'un métier au renouvellement des méthodes en urbanisme

J. Pinard, forthcoming) From experience to expertise, structuring transient urbanism as a new urban and real estate strategy. The case of the French National Railway Compagny (SNCF), Transforming Cities through Temporary Urbanism: A Comparative International Overview

A. Pratt, Creative Cities: Tensions Within and Between Social, Cultural and Econcomic Developpement. A Critical Reading of the UK Experience, City, Culture and Society, vol.1, pp.13-20, 2010.

A. Pratt, The Cultural Contradictions of the Creative City. City, vol.2, pp.123-153, 2011.

V. Prieur, Revendications des squats d'artistes et institutions, Marges, vol.20, pp.74-95, 2015.

S. Taylor and K. Littleton, Art Work or Money: Conflicts in the Construction of a Creative Identity, The Sociological Review, vol.56, pp.275-92, 2008.

H. Thörn, In Between Social Engineering and Gentrification: Urban Restructuring, Social Movements, and the Place Politics of Open Space, Journal of Urban Affairs, vol.34, pp.153-68, 2012.

J. Uitermark, The Co-optation of Squatters in Amsterdam and the Emergence of a Movement Meritocraty: A Critical Reply to Pruijt, International Journal of Urban and Regional Research, vol.28, pp.687-98, 2004.

A. Vanolo, Alternative Capitalism and Creative Economy: the Case of Christiana, International Journal of Urban and Regional Research, vol.37, pp.1785-98, 2013.

H. Vérin, Entrepreneurs, entreprise. Histoire d'une idée. Classiques Garniers, 1982.

E. Vivant, How Underground Culture is Changing Paris. Urban Research and Practices 2.1, pp.36-52, 2009.
URL : https://hal.archives-ouvertes.fr/halshs-00372771

E. Vivant, The (re)Making of Paris as a Bohemian Place?, Progress in Planning, vol.74, pp.107-52, 2010.
URL : https://hal.archives-ouvertes.fr/halshs-00516565

E. Vivant, Who Brands Whom? The Role of Local Authorities in the Branching of Art Museums Town Planning Review 82, vol.1, pp.99-115, 2011.

E. Vivant, Creatives in the City, Urban contradictions of the creative city. City, Culture and Society, vol.4, pp.57-63, 2013.
URL : https://hal.archives-ouvertes.fr/halshs-00808313

E. Vivant, Rejection, Adoption or Conversion. The Three Ways of Being a Young Graduate Auto-Entrepreneur. Work Organisation, Labour & Globalisation 10, The precariousness of knowledge workers (Part 1): hybridisation, self-employment and subjectification, pp.68-83, 2016.
URL : https://hal.archives-ouvertes.fr/hal-01408579

E. Wilson, Bohemians. The Glamorous Outcasts. Tauris Parke Paperbacks, 2003.

C. Wu, Privatising Culture. Corporate Art Intervention since the 1980s. Verso, 2002.